“Never had I been given a tougher problem to solve, and never had I been so utterly at my wits’ end for a solution.”
A signalman is found dead by a railway tunnel. A man identifies his wife as a victim of murder on the underground. Two passengers mysteriously disappear between stations, leaving behind a dead body.
Trains have been a favourite setting of many crime writers, providing the mobile equivalent of the “locked-room” scenario. Their enclosed carriages with a limited number of suspects lend themselves to seemingly impossible crimes. In an era of cancellations and delays, alibis reliant upon a timely train service no longer ring true, yet the railway detective has enjoyed a resurgence of popularity in the twenty-first century.
Both train buffs and crime fans will delight in this selection of fifteen railway-themed mysteries, featuring some of the most popular authors of their day alongside less familiar names. This is a collection to beguile even the most wearisome commuter.
I have to say I love the sentence “In an era of cancellations and delays, alibis reliant upon a timely train service no longer ring true”. Clearly, nobody has been hit harder by the decline of the railways than poor mystery writers who have lost such a great plot-device…
While one might think that ‘railway related mysteries’ limits the type of stories one can include in this book there is some variety. In many cases, they are simply a sub-set of locked-room mysteries: somebody (or something) disappeared from a moving train (but the how is different every time). Sometimes the train provides the murder-method (or the means of masking the murder) and sometimes the train is mere coincidence (The Unsolved Puzzle of the Man with No Face opens in a train but the actual crime had been committed somewhere else and was in no way connected to a train or the railway).
Of course, the stories also vary in quality. No matter how popular railway mysteries were, not every writer did his best work in (short) railway fiction. (Sayer’s story is nowhere near as brilliant as her long fiction). My personal preferences also play a role (I’m not a big fan of mysteries told from the POV of the killer. Or of occult detectives).