Authors: Alice & Jade Starmore
Glamourie is a Scots word meaning a charmed condition in which everything is invested with magical properties and possibilities. In this unique book, Alice Starmore leads us into the realm of glamourie and —like the witches of Gaelic folklore —casts spells with needles and a single thread. Taking her daughter Jade’s supernatural stories as inspiration, she uses the art of hand knitting to bewitch and bedazzle and illustrates the tales with elaborate costumes and accessories that portray fanciful and extraordinary ideas.
In creating these costumes, she has powerfully demonstrated the glamourie that can flow from the twin wands of a master magician.
While the first half of this book is an unrestrained flight of fancy, the second half contains full instructions for knitting beautiful garments based upon each costume, all written with Alice Starmore’s trademark accuracy and precision.
By developing each of these patterns from its associated costume, she has revealed how her mind works and how her imagination led her from the initial inspiration through to the final design.
Alice and Jade Starmore are from the Isle of Lewis in the Outer Hebrides, and its moody Celtic landscape is the backdrop to the stories, costumes, and designs they have created. The final stage of Glamourie was to take their creations back out into that landscape to be photographed. They trekked to special locations, far off the beaten track, and Jade’s spectacular photographs depict both the sweeping panorama and the minute detail of their beloved native isle. Three years in the making, this combination of photography and fable, of highly conceptual design and practical instruction, will enchant not only knitters but also those in the fashion and costume world and readers fascinated by Scottish and Gaelic legends.
Alice Starmore’s Tudor Roses featured patterns inspired by the Tudor women, each of which is introduced by a short text, told from the point of view of that women. It’s a really nice idea and the short texts made me curious enough to look up some of the women. (Because my knowledge of the Tudors begins with Divorced, Beheaded, Died, Divorced, Beheaded, Survived and ends with knowing that Elisabeth I existed). Glamourie does something similar: every design is introduced with a short story about the creature that inspired the design, written by Jade Starmore. Additionally, Alice Starmore talks about her creative process behind the design and some of her own thoughts about the creature or her own experiences with them.
Here’s the thing: Jade Starmore’s fables are…nice. Cute, a bit cheesy and full of important morals like everything must die, nothing always stays the same or having your heart broken is painful. Now I’m not criticising the lack of literary merit in the intro-texts of a knitting book but they are a part of this book. And they are not that great.
Meanwhile, Alice Starmore’s notes about her inspiration read a lot like those food-blogs where you have to suffer through the blogger telling you all about the first time they ever experienced snow when really, all you want is that Christmas cookie recipe they promised. I do not care about any person enough to be interested in their experience of completely ordinary things. And I definitely do not care what the ravens near Starmore’s house use to built their nests.
But this is a knitting-book after all, and the important thing about that are the patterns and the photos. Because I have a few knitting books with very atmospheric photos that match the theme of the book but you barely recognize any details about the item because it’s just a tiny part of a blurry photograph. Or the model is wearing so many other fancy clothes and the background is so busy that you can’t really focus on what should actually be the focus of the picture.
This is definitely not the case in Glamourie. The photos are gorgeous. All are taken outside in front of a simple background (the sea, a field or a big rock) that perfectly matches the garment, without taking attention away from it. The same goes for the clothes the models wear with the knitwear: they perfectly compliment them but never distract from the actual garment. There’s also a lot of pictures of the designs, giving you the possibility to see them from more than one angle and from closeup and further away. Some designs are even shown in two different colours, which gives you an opportunity to actually see how that looks like instead of just imagining it.
Now for the patterns… Well, first, you have to know that Glamourie is divided into two parts: Costumes and Designs. The costumes are directly inspired by the stories (and you can have a look at them here) and are mostly…well costumes. Very few people would wear any of these things in everyday life. The costumes do not come with patterns. They are in the book to show off gorgeous photographs and some mediocre writing.
The designs are what Starmore describes as costumes ‘with the usual constraints applied to them’. They come with a pattern and are more wearable than the costumes. And yes they are also very beautiful (you can see them here). I can also understand, that adapting some of the costumes (especially the Raven and the Lapwing) for different sizes would be hard and that not too many people would want to knit something so complex when it has very limited use as everyday wear. On the other hand, there are certainly a lot of people who would want to knit a nice cabled sweater, a pretty colourwork cardigan or a fancy poncho.
Only: Glamorie costs around £42. Do you want to pay that amount for a total of 11 patterns of nice cabled sweaters, pretty colourwork cardigans, and fancy ponchos? I’m not even saying that it’s not worth that amount. Because I see those photographs and all the work that has obviously been put into the costumes, the designs and the photographs themselves (a few of the clothes the models are wearing with the knitted items are also handsewn). They mention that this book took three years of work and I believe that immediately. But at the same time: I just checked and if I put my last eight Ravely purchases together I’ll end up with slightly less than that. And two of those were actually not single patterns but whole books (one with 16 patterns, one with 4). So that gives me more than twice the amount of patterns for less than the price of this book. In other words, I can go and buy a book with nice patterns and pay for those patterns and lots of pretty things surrounding those patterns or go on Ravelry (or in my LYS) and look at some nice single patterns or perhaps a different book with nice patterns that costs perhaps half of that. And I’m much more likely to do the latter because no matter how gorgeous the photographs are, I can’t do more than look at them and say ‘well aren’t they gorgeous?’. And while I do occasionally spend money on things that are pretty and nothing more, this is still a bit much for a book that will mostly be closed on a shelf somewhere.
ARC provided by NetGalley