Alice Starmore: Glamourie

35069924Title: Glamourie
Authors: Alice & Jade Starmore

Glamourie is a Scots word meaning a charmed condition in which everything is invested with magical properties and possibilities. In this unique book, Alice Starmore leads us into the realm of glamourie and —like the witches of Gaelic folklore —casts spells with needles and a single thread. Taking her daughter Jade’s supernatural stories as inspiration, she uses the art of hand knitting to bewitch and bedazzle and illustrates the tales with elaborate costumes and accessories that portray fanciful and extraordinary ideas.
In creating these costumes, she has powerfully demonstrated the glamourie that can flow from the twin wands of a master magician.
While the first half of this book is an unrestrained flight of fancy, the second half contains full instructions for knitting beautiful garments based upon each costume, all written with Alice Starmore’s trademark accuracy and precision.
By developing each of these patterns from its associated costume, she has revealed how her mind works and how her imagination led her from the initial inspiration through to the final design.
Alice and Jade Starmore are from the Isle of Lewis in the Outer Hebrides, and its moody Celtic landscape is the backdrop to the stories, costumes, and designs they have created. The final stage of Glamourie was to take their creations back out into that landscape to be photographed. They trekked to special locations, far off the beaten track, and Jade’s spectacular photographs depict both the sweeping panorama and the minute detail of their beloved native isle. Three years in the making, this combination of photography and fable, of highly conceptual design and practical instruction, will enchant not only knitters but also those in the fashion and costume world and readers fascinated by Scottish and Gaelic legends.

Alice Starmore’s Tudor Roses featured patterns inspired by the Tudor women, each of which is introduced by a short text, told from the point of view of that women. It’s a really nice idea and the short texts made me curious enough to look up some of the women. (Because my knowledge of the Tudors begins with Divorced, Beheaded, Died, Divorced, Beheaded, Survived and ends with knowing that Elisabeth I existed). Glamourie does something similar: every design is introduced with a short story about the creature that inspired the design, written by Jade Starmore. Additionally, Alice Starmore talks about her creative process behind the design and some of her own thoughts about the creature or her own experiences with them.

Here’s the thing: Jade Starmore’s fables are…nice. Cute, a bit cheesy and full of important morals like everything must dienothing always stays the same or having your heart broken is painful. Now I’m not criticising the lack of literary merit in the intro-texts of a knitting book but they are a part of this book. And they are not that great.

Meanwhile, Alice Starmore’s notes about her inspiration read a lot like those food-blogs where you have to suffer through the blogger telling you all about the first time they ever experienced snow when really, all you want is that Christmas cookie recipe they promised. I do not care about any person enough to be interested in their experience of completely ordinary things. And I definitely do not care what the ravens near Starmore’s house use to built their nests.

But this is a knitting-book after all, and the important thing about that are the patterns and the photos. Because I have a few knitting books with very atmospheric photos that match the theme of the book but you barely recognize any details about the item because it’s just a tiny part of a blurry photograph. Or the model is wearing so many other fancy clothes and the background is so busy that you can’t really focus on what should actually be the focus of the picture.

This is definitely not the case in Glamourie.  The photos are gorgeous. All are taken outside in front of a simple background (the sea, a field or a big rock) that perfectly matches the garment, without taking attention away from it. The same goes for the clothes the models wear with the knitwear: they perfectly compliment them but never distract from the actual garment. There’s also a lot of pictures of the designs, giving you the possibility to see them from more than one angle and from closeup and further away. Some designs are even shown in two different colours, which gives you an opportunity to actually see how that looks like instead of just imagining it.

Now for the patterns… Well, first, you have to know that Glamourie is divided into two parts: Costumes and Designs. The costumes are directly inspired by the stories (and you can have a look at them here) and are mostly…well costumes. Very few people would wear any of these things in everyday life. The costumes do not come with patterns. They are in the book to show off gorgeous photographs and some mediocre writing.

The designs are what Starmore describes as costumes ‘with the usual constraints applied to them’. They come with a pattern and are more wearable than the costumes. And yes they are also very beautiful (you can see them here). I can also understand, that adapting some of the costumes (especially the Raven and the Lapwing) for different sizes would be hard and that not too many people would want to knit something so complex when it has very limited use as everyday wear. On the other hand, there are certainly a lot of people who would want to knit a nice cabled sweater, a pretty colourwork cardigan or a fancy poncho.

Only: Glamorie costs around £42. Do you want to pay that amount for a total of 11 patterns of nice cabled sweaters, pretty colourwork cardigans, and fancy ponchos? I’m not even saying that it’s not worth that amount. Because I see those photographs and all the work that has obviously been put into the costumes, the designs and the photographs themselves (a few of the clothes the models are wearing with the knitted items are also handsewn). They mention that this book took three years of work and I believe that immediately. But at the same time: I just checked and if I put my last eight Ravely purchases together I’ll end up with slightly less than that. And two of those were actually not single patterns but whole books (one with 16 patterns, one with 4). So that gives me more than twice the amount of patterns for less than the price of this book. In other words, I can go and buy a book with nice patterns and pay for those patterns and lots of pretty things surrounding those patterns or go on Ravelry (or in my LYS) and look at some nice single patterns or perhaps a different book with nice patterns that costs perhaps half of that. And I’m much more likely to do the latter because no matter how gorgeous the photographs are, I can’t do more than look at them and say ‘well aren’t they gorgeous?’. And while I do occasionally spend money on things that are pretty and nothing more, this is still a bit much for a book that will mostly be closed on a shelf somewhere.

ARC provided by NetGalley

February 20: Books I’ve Decided I’m No Longer Interested In Reading

Now here’s the thing: I do try to keep my Goodreads-shelves at least somewhat tidy. That means I have my to-read shelf which only has books that I already own (though not all of them because I’m lazy), a wishlist-shelf with books I really want (upcoming books in series I’m reading and books that came warmly recommended by trustworthy people), and a maybe-shelf with books that sound interesting but where I want to check out reviews/samples first before I make a final decision. Of course, sometimes that decision is ‘I do not want to read it’ but I honestly don’t remember too many books that I kicked off that list because I didn’t feel strongly about them in the first place.

So most of these are books I actually owned (or had at least borrowed) and then decided that I’d rather not. Also, I don’t manage 10 because I’m more likely to give a book at least a chance before I toss them.


Leonie Swann: Garou1. Leonie Swann: Garou

Once upon a time, Glennkill was a big hit in Germany. A crime-novel in which sheep solve the murder of their shepherd. I read it and found it…cute. Garou is the sequel to it but in the end, I decided that ‘cute’ alone isn’t enough to make me read the second book and the book wasn’t much more than cute.

Jane Austen: Emma2. Jane Austen: Emma

I have watched the movie and that was enough to tell me that I won’t enjoy the book, either. I just don’t like Emma, the character. She’s a horrible person who manipulates others because she thinks she knows better than they do what’s best for them.
Before you say anything: I’m aware that all Austen heroines (and heroes) have to learn their lesson and that Emma meant well but the thing is…I don’t care. She simply has character-traits that annoy me a lot and I don’t see why I should suffer reading about that for ages before she learns her lesson.

3. Bernhard Hennen: Die Elfen-books

The first book Die Elfen (The Elves) came out shortly after the Lord of the Rings movies and very much tried to ride on its popularity. But to be fair: it’s not just Middle Earth fanfic with the serial numbers filed off. Both take inspiration from Nordic mythology but do very different things with them. And I even enjoyed Die Elfen, a lot. Enough that I got the final two books in the trilogy at once and also picked up the box-set with all the Elfenritter audiobooks without quite knowing how that series connected to the original one.

But when I took a closer look at Elfenwinter I noticed that it wasn’t actually a sequel to Die Elfen but set somehow at the same time but in a different place with different main characters. But the main characters (or rather one of them) was the main reason I enjoyed the first book so much. I decided to give Elfenritter a try then but didn’t even made it through the first book (I am so tired of fantasy novels with stories in which a thinly veiled version of Christianity threatens the Old Ways and tries to burn people). In the end, I threw all of them out.

Leigh Bardugo - Shadow and Bone4. Leigh Bardugo: Shadow and Bone

This is a book I never owned a copy of but I heard so much good about it, I really wanted to give it a try. And then I read Six of Crows by the author and it was…nice. Not great but not bad either and it made me curious about the sequel which I read… and didn’t enjoy at all. And the main reason for that was that it frequently read like an author’s first book. Bardugo tries to trick you into thinking something goes terribly wrong…only it all goes perfectly fine, the current POV-character is just lying to you. That’s bad style.

So after that my desire to try out an actual earlier work by the author diminished. And then the book came up in a discussion with a Russian friend and she screamed “Grisha! The powerful and intimidating mages are called Grishas. That’s like somebody writing a Germanic-fantasy novel where the mages are called Gretchen.” And I will never be able to unthink this which means I probably won’t be able to take the book serious anyway.

Colum McCann: Everything in this country must5. Colum McCann: Everything In This Country Must

I have not much to say about this except that I read ‘Hunger Strike’ by the author during my teenage ALL THE IRISH THINGS-phase and to be honest I was too young to really get it. I got Everything In This Country Must anyway because ALL THE IRISH THINGS and forgot about it. Recently I found it again, skimmed a few passages and decided that it wasn’t really my thing.




Dieter Breuers: Ritter, Mönch und Bauersleut: Eine unterhaltsame Geschichte des Mittelalters6. Dieter Breuers: Knights, Monks and Farmers – An entertaining history of the Middle Ages

I picked this up during a library sale because the chapter-titles were hilarious and history! Middle-ages! But since then I realized something: I don’t care about generic medieval history that much. I enjoyed Rebecca Gable’s Von Rastlosen und Löwenherzen about the English middle-ages (and if you know German I can only recommend it), I’ve read books about Russian and Irish history and want to dig deeper into those topics (and a few more) but I don’t need a book that focusses mostly on German/Western European middle-ages (and is of questionable veracity anyway, if the Amazon-reviews can be believed).

Foreign Bodies


Title: Foreign Bodies
Editor: Martin Edwards

Today, translated crime fiction is in vogue – but this was not always the case. A century before Scandi noir, writers across Europe and beyond were publishing detective stories of high quality. Often these did not appear in English and they have been known only by a small number of experts. This is the first ever collection of classic crime in translation from the golden age of the genre in the 20th century. Many of these stories are exceptionally rare, and several have been translated for the first time to appear in this volume. Martin Edwards has selected gems of classic crime from Denmark to Japan and many points in between. Fascinating stories give an insight into the cosmopolitan cultures (and crime-writing traditions) of diverse places including Mexico, France, Russia, Germany and the Netherlands.


Anton Chekhov: The Swedish Match

A murder has happened. The victim was far from popular so there’s no shortage of suspect. Enter the eager detective who finds important clues (likes the eponymous Swedish match), makes lots of deduction (much to the chagrin of his colleagues) and just won’t stop investigating. His final conclusion shocks everybody…but is he right?

It actually reads more like an author had gone ‘I’m bloody sick of this Holmes and how every little scrap he finds tells him volumes. I’ll write a character using his methods and have him end up in a really awkward situation because of it’, only that The Swedish Match is from 1883, which is a bit early for a Holmes-parody, considering A Study in Scarlet wasn’t published till 1887

It’s not great: there are lots of coincidences, and suspects appear at the drop of a hat without having been mentioned before. No matter how many crime-novels you’ve read before you will not guess the resolution. It still is an amusing story and (as somebody who had to read Lady with Dog for university and sat went to see a questionable version of Uncle Wanja neither of which could awaken my admiration for Chekhov), it did make me curious about some of his other works, since the introduction mentioned he wrote quite a few detective stories.

Continue reading “Foreign Bodies”

Véronique Enginger: Retro Cross Stitch

36663314Title: 500 Patterns, French Charm for Your Stitchwork
Author: Véronique Enginger

Enter this deliciously vintage universe of 500 patterns and add a touch of nostalgia to your stitchwork. Recreate 1800s and 1900s fashion house designs and milliners’ catalogues. Take your cross stitch on a bon voyage into the past with traveling motifs like trunk labels of exotic destinations and railroad advertising posters. Other sections of patterns feature tea and coffee motifs, and daily life in vintage terms. Many of the designs include multiple scenes and motifs, offering you hundreds of components to use in a myriad of ways. Throughout, be inspired by “mood boards” of completed motifs, along with photos of projects that will show off your creations in daily life.


While there are medium-sized and large patterns in this book, a lot are really tiny motifs: tea-cups, flowers, stamps, bottles…all in a nice vintage-style. There’s also a fair number of small patterns that are almost identical but for the colour scheme. Now, I don’t mind either of these things. I’m more likely to add a cute little motif to a birthday-card than to stitch a whole sampler (I don’t have any wall to hang it on anyway) and the motifs are the perfect size for small projects. I’m also fine with the near-identical patterns. Sure everybody can just replace one colour with another but that doesn’t mean that the colours work well together. It’s nice that someone else has done the work of picking matching colours for you.

My issues with this book are somewhere else: there’s barely any pictures of the finished projects. Sure, I’m not expecting pictures of every single finished item, including the tiny ones that are only a few stitches wide. But for the larger motifs, I would like to have a better idea of the look of the finished item than the pattern alone can give me. It is coloured so you have a rough idea of how it will look but ‘rough idea’ isn’t enough for 10+ hours of work.

And on another note: Dear Authors. Google Translate is not your friend. People who actually speak the language are.
One section has travel-motifs, including one that has Russia in Russian written on it. Only in the pattern, it’s spelled Россйя when it should be Россия (transcribed that would be something like Rossjja instead of Rossija). A few pages later there’s a caviar-box that says икрá (ikra) with a stress-mark over the last letter, which is how you would find the word in a dictionary but not anywhere in print. My guess is the author just looked up the word in some online-dictionary and the и/й is also just a stress-mark and no competent speaker told her that a) she wouldn’t have needed it and b) it makes it look like a different letter.

Other patterns also contain text in Spanish, possibly-Hindi, Japanese, Greek, Chinese and probably some other languages I just missed but I am very reluctant to stitch these since I assume the author took as much care with proof-reading those as she did with Russian. I don’t want to make a card for one of my multilingual friends only to hear:


There aren’t too many motifs with texts (that aren’t in French, but I do assume the author knows her own language) so I am not loosing out too much but this kind of sloppiness still bugs me. And, as said, there really aren’t enough pictures of finished objects. I enjoy the motifs in this book more than those in the author’s other book (Fables & Fairy Tales to Cross Stitch) which was too pastel for my taste but it at least showed how the end product will look.

ARC provided by NetGalley

February 6: Books That Have Been On My TBR the Longest and I Still Haven’t Read

Robert Kee: The Green Flag - A History of Irish Nationalism1. Robert Kee: The Green Flag – A History of Irish Nationalism

Remember the times before e-readers? When you could only take a few books on holidays because you couldn’t just take a second suitcase full of books with you? In these dark days, I went to St. Petersburg. And I had not taken enough books with me and there was only a limited choice of English language books in the book-stores. And since Irish history interests me I got that. And I even started it (because no books) so it’s not strictly speaking tbr-pile. But I only read perhaps 100 pages of it before I flew back and then got distracted by other books.

Sharon Kay Penman: When Christ and His Saints Slept2. Sharon Kay Penman: When Christ and His Saints Slept

When I did my A-levels Bavarian schools required something called Facharbeit to get them. It is supposed to prepare you for term-papers at university and has the same rules about length, citations etc. But you only have to write one and almost have one year to complete it. My topic was The Historic Background of Ellis Peters’ Cadfael Novels which mostly meant: The English Civil war between King Stephen and Empress Matilda. It is still sort of a step-child of English history topics. Everyone knows about the War of the Roses or Henry VIII and there’s tons of fiction and non-fiction written about them. Stephen and Matilda? Not so much. And when I wrote the paper it was even worse. I found exactly on non-fiction book about it. Which is why I got desperate enough to buy a novel about it in the hope there was something I could use. (I ended up quoting parts of the introduction…my teacher didn’t complain). But after handing in the paper I just did not want to hear anything about the topic for a while and then I forgot about the book.

Lady Gregory: Complete Irish Mythology3. Lady Gregory: Complete Irish Mythology

There is nothing much to say about this. I can very easily be persuaded to buy things that have ‘Ireland’ written on them so I picked that up somewhere because of that (and because it was cheap) but never was really in the mood for it.

Sally R. Munt: Murder by the Books? Feminism and the Crime Novels4. Sally R. Munt: Murder by the Books? Feminism and the Crime Novels

I think I bought that when I lived in Belfast. Round the corner of No Alibis, a book-store that specialises in crime novels. It’s an interesting topic but I always forget that I even own it. And then I go through my tbr-pile and see it again but just at that moment have something much more interesting to read…

Neil Gaiman: American Gods5. Neil Gaiman: American Gods

I bought it because I felt I should read something Gaiman wrote on his own (I only read Good Omens and loved that) but then a friend of mine read it and was not overwhelmed and usually, we have a very similar taste in books so my desire to read has dropped. And every time I see it I think ‘I could read it…or something I’d be more likely to enjoy’.

Erica Fischer: Aimée & Jaguar6. Erica Fischer: Aimée & Jaguar

When I just looked at this book I realised that it has a sticker from the library next to my school, which means I picked it up when they had a sale of their old books. It’s been a while since I went to school and the library or their sales so I also have this for a long time. But every time I pick it up I think about how depressing it will be…

Robert Graves: I, Claudius7. Robert Graves: I, Claudius

I picked this up after I started watching the show I, Claudius because Derek Jacobi was in it and I love him a lot (bonus task: he has a connection to one of the other books on here. Which?). I enjoyed the show and even started the book but then something more interesting came along and I forgot about it.

Ann Bronte: The Tenant of Wildfell Hall8. Ann Bronte: The Tenant of Wildfell Hall

I read and enjoyed Jane Eyre and while I can understand every person who despises Wuthering Heights I certainly found reading it an experience. So it’s logical that I would also check out the last Bronte-sister. But classics, much like non-fiction always run into the danger of catching a lot of dust on my shelves before I pick them up.

Gyles Brandreth: Oscar Wilde and the Murders at Reading Gaol9. Gyles Brandreth: Oscar Wilde and the Murders at Reading Gaol

This is one of those books where I don’t even have a halfway good reason why it’s been on my tbr-pile for so long. It certainly looks like it would be quite a quick read (unlike the rest of the books on this list) but I just never read it.

Marcel Reich-Ranicki: Mein Leben10. Marcel Reich-Ranicki: Mein Leben

This, on the other hand, is again a book of intimidating length (she said, despite never having any trouble with fantasy doorstoppers) and one that will also be not an easy read because the author also talks about his experiences during the Holocaust. Additionally, I have already listened to the audio-book but only the abridged one on two CDs (of a book with 500+ pages). Still it always makes me go ‘well, I have already read it…kind of’.

The Rivals of Sherlock Holmes: Thorndyke & Pringle

As part of my The Rivals of Sherlock Holmes Project I’m reading other Victorian (and occasionally Edwardian) detectives. I decided to start with R. Austin Freeman who wrote the Dr. Thorndyke and the Romney Pringle stories (the latter together with John Pitcairn (and under the pseudonym Clifford Ashdown)).

Today’s stories – two with Thorndyke and one with Pringle – were all filmed as part of The Rivals of Sherlock Holmes ITV-series and can be found in the accompanying book.

I have read Thorndyke-stories before and he is one of the rivals I’ve really enjoyed. Thorndyke occasional shares Holmes’ tendency to tell a man’s life-story from the way his clothes and hands look but most of the time he is more grounded in real science. As forensics/the history of forensics has fascinated me since my mother gave me her Jürgen Thorwald’s The Century of the Detectives-books, Thorndyke does have a soft spot in my heart. Even if he does occasionally share the blandness of many of Holmes’ colleagues.

I haven’t read any of the stories previously, but the two Thorndyke episodes were the only ones I watched from the TV-show. (However, I have forgotten everything about them, except for a memorable but plot-irrelevant scene from The Moabite Cypher).

Romney Pringle, on the other hand, is someone I hadn’t heard of before so I don’t know what to expect at all.

A Message from the Deep Sea (Dr. John Thorndyke)

A young woman is found murdered with a strand of long red hairs in her hand. When the police discover that her romantic rival has long red hair they don’t look further. Dr. Thorndyke, however, does.

Overall, the story is rather average but I do find it interesting that this is a case featuring a murdered young woman when I can barely remember Holmes-stories featuring women as murder-victims. And the women in this story also feel more real. Jealousy is not the most original of plots but a refreshing difference from Doyle’s beloved ‘I never did anything immoral. However, there was this one time I did something I won’t give any details about but which was in no way wrong. And if my husband who dearly loves me but who also is such an honest man would learn about this time where I didn’t do anything wrong he would die of shame.’-blackmail plots. Of course, everybody just wanted to be published in Victorian times and so it’s not like this story is full of juicy details. But I can’t deny that most of Freeman’s female characters feel more real than Doyle’s.

The mystery itself is pretty average. Of course, the police and their experts are useless and of course, only Thorndyke is clever enough to look further than them. Not unusual for these kinds of stories. Neither is Thorndyke’s penchant for a presenting his findings in a very dramatic way. But I couldn’t help thinking that (Spoiler: Highlight to show)

it seems like a bit of a stretch that only Thorndyke noticed that the hair wasn’t torn out does seem.

So: fun but nothing special.

The Moabite Cipher (Dr. Thorndyke)

The police fear that a certain person is part of a group that plans an assassination attempt on a high-ranking person. Unfortunately, their attempt to shadow him misfires and the suspect ends up dead. The only clue he was carrying with him is a message written in an incomprehensible cipher.

A mysterious cipher! An even more mysterious man who is worried about his brother’s health! And of course, it needs Thorndyke’s genius to figure out the connection. (Well, and a Marsh test).

That is exactly the kind of story I love. It has twists and turns and ends up somewhere you would have never guessed at the start. Sadly, it is also yet another instance of ‘this ominous foreigner who is also Jewish and did we mention ominous and probably evil?’, which is a frequent occurrence in Thorndyke-stories.


The Assyrian Rejuvenator (Romney Pringle)

By chance, Pringle discovers a company that cons people with a machine called ‘The Assyrian Rejuvenator’ that promises eternal youth. He decides to step in…

Wikipedia describes Romney Pringle as ‘reformed con-artist’ but this story seems to be from a time where he wasn’t yet reformed for all he does here is conning a different con-artist and then continuing that con on his own. And well…that’s not particularly endearing. I enjoy the occasional heist-story about loveable and clever rogues taking money from questionable characters that have more money than they can ever spend but it’s not that kind of con. Pringle isn’t even extraordinarily clever. He’s cunning and at the right place at the right time. His victims are average people who are somewhat stupid.

It seems that this is the first Pringle-story, so I assume the actual ‘reformed’ part will come in the later ones but I’m not exactly burning to check them out.


Since all the stories were also filmed for the eponymous series I (re)watched them as well. The Pringle-story manages to make him even more unlikeable: he doesn’t only con innocent people, he also endangers them. I think that this particular flavour of 70s humour isn’t my cup of tea.

The two Thorndyke-stories, on the other hand, make me wish we had gotten a whole series of him. Though they admittedly took some artistic license with canon and ‘Holmesified’ Thorndyke a bit; on the page, he never insisted “You know exactly as much as I do Watson Jarvis, you can also solve this case as well as I can”. They also added a vain streak that isn’t quite as prominent in the books. But they also gave him a snarky Jarvis who has no qualms pointing exactly that out. More episodes with that duo could have been really enjoyable (especially since the also reduced the number of ominous Jewish people in the adaptations…which in one case meant turning a character Irish but…it’s the thought that counts…)

Véronique Enginger: Fables& Fairy Tales to Cross Stitch

cover126557-mediumTitle: Fables& Fairy Tales to Cross Stitch
Author: Véronique Enginger
Create lovely new “once upon a time” keepsakes with these 44 cross stitch patterns, blending the traditional style of France with a charming contemporary simplicity. The designs are eye-catchingly lovely with their subtle colors, gentle humor, and delicate lines. They’re all here: wily foxes, big bad wolves, city mice and country mice…not to mention princesses, enchanted worlds, and fun rhymes. Many include multiple scenes and motifs, offering you dozens more components to use in a myriad of ways. Along with the patterns, enjoy instructions for 22 projects to show off your stitchwork: luggage tags, mobiles, cookie tins, quilts, a cuddly toy with its own sleeping bag, and more.

The book is divided into three chapters: Fables, Fairy-Tales and French Nursery Rhymes, every one offering between 10 and 20 cross-stitch patterns inspired by them. Each comes with a photo of the finished cross-stitch. Most of those are large pictures (ca. 120*130 stitches) illustrating a scene from the story and it would be hard to pick out a small part of it to stitch it as a seperate picture. But a few are more a collection of smaller images, where it would be easy to take out one to e.g. decorate a card (and the fairy tale chapter even includes a set of small patterns for generic fairy tale images like dragons and witches).

The book also offers instructions for projects that can be made out of the finished cross-stitches: a pillow, a sleeping bag for stuffed animals, a book-cover, an apron and much more. The instructions call for one specific pattern for each item but since most of those are for the whole images that are all of similar size, nobody stops you from replacing The Princess on the Pea with Snow White on the pillow.

Now the pattern themselves are…very very cutesy. I don’t think I will make any of the large pictures for myself but stick to decorating smaller items like birthday-cards with butterflies or crowns. I’m not saying that I was expecting a dark and subverted interpretation of fairy tales. But it is possible to illustrate those stories and stay true to them without drowning everything in pastels.

ARC provided by NetGalley